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On the Morality Inherent in the Practice of Art Criticism
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PHOTOGRAPHY VIEW; Ask It No Questions: The Camera Can Lie
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KATY SIEGEL: Let’s begin with your move to New York from Chicago. What year did you come here?JEFF KOONS: I originally hitchhiked here at the end of ’76, but I didn’t officially move to New York until January ’77. In Chicago I went to the School of the Art Institute, and I enjoyed it because I was studying with people whose work and passion I really respected, like Ed Paschke and Jim Nutt. But I lost interest in my own work, which had been in kind of a personal iconography, and I realized that different things were happening in New York different communities, the New Wave music scene. And that’s
palpable hostility to the fossil fuel, to oil companies is still present. why he would prefer the oil out of from maduro or iran, venezuela or iran over american oil i don t understand. and the claim that he did nothing to prevent the flow or inhibit the flow in production of oil is obviously false. so, you know, bill beckley used to say it s not where a man says but where he puts his emphasis. the animus of this administration toward the oil companies is clear and present. bret: harold? well, first, thanks for having me. i think the secretary has a lot of this right. i think we have to be focused on building nuclear, fracking and drilling. they set a challenge in ukraine have really triggered two things in my mind it has forced us in the west in the u.s. as leading the effort to set the tone for
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