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Màiri Mhòr nan Òran: Celebrating one of our greatest Gaelic poets

LAST week I said I would be writing about the early years of the Union after 1707 and telling the untold story – never mentioned by the Unionists – of how that Union nearly collapsed and was quickly recognised as a disastrous deal for Scotland, even by those who had helped to bring it about. I crave your indulgence and I will definitely return to the subject next week, but when you receive a cry for help from one of Scotland’s greatest modern-day cultural figures, I have to respond, so please consider this an emergency column to right a perceived wrong. For tomorrow is the bicentenary of the birth of Màiri Mhòr nan Òran, Great (or big) Mary of the Songs, a truly influential songstress and a towering presence in Gaelic culture. Màiri Mhòr was so-called because she was literally big being 5’ 9” tall and latterly quite rotund.

Alan Riach: What is the immediate relevance of the Gaelic tradition?

By Alan Riach Professor of Scottish Literature at Glasgow University Essay Kathleen MacInnes plays Kay Matheson, who helped bring the Stone of Destiny back to Scotland in 1950, in the film An Ceasnachadh/Interrogation of a Highland Lass DUNCAN Ban MacIntyre’s last visit to Ben Dorain on September 19, 1802 prompted the following day his composition, “Last Leave-taking of the Bens”, a moving farewell to the mountains, especially Ben Dorain, which his 18th-century poetry sang of so piercingly. It’s an old man’s elegy recollecting the energies of youth, the chase of the greyhound quickening as its owner’s breath becomes more laboured.

Ariane Bois: «On a besoin de romans qui dépaysent»

Ariane Bois: «On a besoin de romans qui dépaysent»
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