murder? or accidentally committing a? and he told my mom about dexter. you see the show dexter, this is all modeled after dexter. when you take a step back, you see this is a real man who s been murdered. it was darker than anyone knew. holy mackerel! everyone is on the edge of their seat. an underground parking garage. you re watching a violent attack, caught on tape. who is this? what is happening? or did it happen at all? movies, like that one. are by design deceptive. they blur words. but have you noticed, maybe it s all the technical doodads. the digital cameras. the reality pristine editing. some stories have claimed to be true. are not. anybody can manipulate reality, but sometimes what they say is true, isn t. sometimes fiction turns out to be fact. and then there are stories, just a few, in which fact and fiction hughes. and that s where we re going tonight. a twilight zone world. an illusion. and deception. and deceit. follow the howling wind, no
good. that car, as the hasn t mentioned it? big down or. but those two arrows are about all clark had to work with. so as you know mark, we re just here trying to find this john fellow. johnny altinger. we had nothing, i don t know what happened to johnny. or whatever happened? exactly. because once again as the interview proceeds, the young filmmaker is the very picture of cooperation. he volunteers information. answer questions without hesitation or any apparent guile. his demeanor is expensive. even an untrained eye can see the twitchell body language is open, comfortable, in control. so they get to the story about the red mans that. he was approached, he said, just a few blocks from his garage by an agitated man. it was the night that johnny altinger disappeared. the man seem desperate to get rid of his car. said mark. offered to sell it for
hey mark, new. everything you do now. we re analyzing. we call it the up arrow down arrows scenario. mr. cooperatives? he ll come down, and talk to us on 10:30 on a sunday night. that s for mark, he s being all good. that car, as the hasn t mentioned it? big down or. but those two arrows are about all clark had to work with. so as you know mark, we re just here trying to find this john fellow. johnny altinger. we had nothing, i don t know what happened to johnny. or whatever happened? exactly. because once again as the interview proceeds, the young filmmaker is the very picture of cooperation. he volunteers information. answer questions without hesitation or any apparent guile. his demeanor is expensive. even an untrained eye can see the twitchell body language is open, comfortable, in control. so they get to the story about the red mans that. he was approached, he said,
big thing for homicide investigation, to look at the television. so i keep my mind on. it pullback. but there s something fishy going on. so clark invited twitchell to come back down to the station for a meeting, 10:30 on the sunday night, and twitchell? agreed. hey mark, new. everything you do now. we re analyzing. we call it the up arrow down arrows scenario. mr. cooperatives? he ll come down, and talk to us on 10:30 on a sunday night. that s for mark, he s being all good. that car, as the hasn t mentioned it? big down or. but those two arrows are about all clark had to work with. so as you know mark, we re just here trying to find this
to come back down to the station for a meeting, 10:30 on the sunday night, and twitchell? agreed. hey mark, new. everything you do now. we re analyzing. we call it the up arrow down arrows scenario. mr. cooperatives? he ll come down, and talk to us on 10:30 on a sunday night. that s for mark, he s being all good. that car, as the hasn t mentioned it? big down or. but those two arrows are about all clark had to work with. so as you know mark, we re just here trying to find this john fellow. johnny altinger. we had nothing, i don t know what happened to johnny. or whatever happened? exactly. because once again as the interview proceeds, the young filmmaker is the very picture of cooperation. he volunteers information. answer questions without