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I am Indigenous, not pardo : Push for self-declaration in Brazil s census

I am Indigenous, not pardo : Push for self-declaration in Brazil s census
mongabay.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from mongabay.com Daily Mail and Mail on Sunday newspapers.

Letizia d Espagne à l heure d été : elle recycle une robe estivale pour honorer Emilia Pardo Bazán

Letizia d Espagne à l heure d été : elle recycle une robe estivale pour honorer Emilia Pardo Bazán
purepeople.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from purepeople.com Daily Mail and Mail on Sunday newspapers.

From the Archive | Open veins of Latin America : New Frame

21 March 2019: Emblazoned on the wall of Spain’s National Drama Centre is Boa Mistura’s painting of an Eduardo Galeano quote from The Open Veins of Latin America: “We are what we do to change what we are.” (Photograph by David Silverman/ Getty Images) Considered a literary giant of Latin America’s Left, Eduardo Galeano was a novelist and journalist who wrote extensively about oppression and resistance in Latin America. In 1973, after a coup in Uruguay, Galeano was imprisoned and later went into exile in Argentina. When that country fell to a coup, his name was added to the death squad lists and he was forced to flee to Spain. He returned to Montevideo in 1985 and died there on 13 April 2015.

The first monographic exhibition on Marinus van Reymerswale opens in Madrid

The first monographic exhibition on Marinus van Reymerswale opens in Madrid Image of the exhibition galleries “Marinus: Painter from Reymerswale” Photo © Museo Nacional del Prado. MADRID .- The aim of this exhibition, which is benefiting from the sponsorship of Mitsubishi Corporation and the Fundación Amigos del Museo del Prado, is to introduce visitors to Marinus van Reymerswale, a Netherlandish artist who worked in the first half of the 16th century. As the exhibition’s curator Christine Seidel has explained: “Following their restoration, the paintings have returned to life with renewed splendour. New technical research, undertaken by the Museo Nacional del Prado, has contributed important information on the conditions and methods of production of his paintings in the emerging art market in Antwerp and in the context of the material culture of his day”.

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