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It’s 1977, about five years after Bettina Grossman moved into the Chelsea Hotel and eleven years since a devastating studio fire in Brooklyn Heights reduced much of her work to ashes. Sitting in her room on the fifth floor, she looks out on 23rd Street with her camera, continuing her ritual as the city’s oblique witness.
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The late artist Bettina toiled in her room at the Chelsea Hotel for decades, making photographs and sculptures she showed to almost no one. At Ulrik gallery in Manhattan, she finally gets the solo show she never got during her lifetime.