their movies and telling these stories, but also when you do have an opportunity to make a movie like coda, but you actually reach out to actual deaf actors. deaf actors. being both ineffective i deaf actors. being both ineffective dramatic i deaf actors. being both | ineffective dramatic film deaf actors. being both i ineffective dramatic film and a major milestone for deaf communities may give coda and edgein communities may give coda and edge in this year s crowd awards race. awards race. sing! # i ve awards race. sing! # i ve been i awards race. sing! # i ve been really| awards race. sing! i # i ve been really trying. yes! , ., # i ve been really trying. yes! i ., , # i ve been really trying. yes! , ., , ~ yes! it s not ust american films yes! it s not ust american film that yes! it s notjust american films that are i yes! it s notjust american films that are being i yes! it s notjust american i films that are being celebrated during this award season. it is also cinema
says played on him for a long time. ,, ~ , ., time. translation: this one noes time. translation: this one goes back time. translation: this one goes back 12. time. translation: this one goes back 12, 15 i time. translation: this one goes back 12, 15 years i time. translation: this one goes back 12, 15 years maybe | goes back 12, 15 years maybe when i had to go collect local newspapers and work with my students to investigate these kind of stories. the japanese these kind of stories. the japanese film i these kind of stories. the japanese film drive i these kind of stories. the japanese film drive my i these kind of stories. the japanese film drive my car is being touted by the movie that could win the best international feature film 0scar. it is a three hour meditative drama that has become an arthouse sensation, about a theatre director who forms a bond with his driver. it has been both voted best form of the year by numerous critics groups. so that brings our talking m
angeles and elsewhere, 0scar voters have been making better choices, determining what this award season will look like. 0dds makers predict that among the ten best picture nominees will be steven spielberg s westside story, jane campion s the power of the dog, paul thomas anderson s licorice pizza, and is ability of s dune, and kenneth branagh s belfast. but on hollywood boulevard in conversation with movie fans, it is clear there is not much familiarity with this year s likely 0scar contenders stop movies like belfast will probably get multiple nominations, what do you know about that?- you know about that? what movie? belfast. you know about that? what movie? belfast. never- you know about that? what l movie? belfast. never heard you know about that? what - movie? belfast. never heard of that in my movie? belfast. never heard of that in my life. movie? belfast. never heard of that in my life. what movie? belfast. never heard of that in my life. what about - that in my life. w
hopefully in a more sophisticated way, show how lost we feel, how vulnerable we can get. and iranian filmmaker asghar farhadi is back in the oscars race, representing his country this time with a hero, a morailty tale which looks at the ethical dilemmas of a man released from jail for two days who has to pay off a debt. farhadi says the story brewed in his mind for a long time. translation: this one goes back 12, 15 years maybe when i used - to collect local newspapers and work with my students to investigate these kind of stories. the japanese film drive my car is being touted by the movie that could win the best international feature film 0scar. it is a three hour meditative drama that has become an arthouse sensation, about a theatre director who forms a bond with his driver. it has been voted best form of the year by numerous critics groups.
translation: this one goes back 12, 15 years maybe when i used - to collect local newspapers and work with my students to investigate these kind of stories. the japanese film drive my car is being touted by the movie that could win the best international feature film 0scar. it is a three hour meditative drama that has become an arthouse sensation, about a theatre director who forms a bond with his driver. it has been voted best form of the year by numerous critics groups. so that brings our talking movies awards season lookahead programme to a close. we hope you have enjoyed the show. please remember you can always reach us online, and you can find us on facebook and twitter. so from me, tom brook, and the rest of the talking movies production team here in los angeles, it s goodbye, as we leave you with the song, so may we start. it could earn a best original song nomination. it comes from the film