to muse, you can adjust where you get complaints? a lot of times we can respond in real time. it is not always the case that we can respond in real time to adjust the speakers that we need to adjust, but we are on telephones during the events talking about it. people are checking the community hot line to see where concerns are coming from. what we re looking from is the concentration of complaints and it will tell us that there is something going on there that we need to try to come up with a solution. if we are not able to respond in real time during the event, we will look and have a conversation that evening, and see if there are adjustments that can be made for the following day. supervisor mar: it has really been helpful and i hope the other big events can economically afford that. it is a significant expense, bluegrass did implemented this year for the first time. the resources available for that event of being a for-profit entity, larger than that would be for som
real time to in supervisor mar: from pearl jam to muse, you can adjust where you get complaints? a lot of times we can respond in real time. it is not always the case that we can respond in real time to adjust the speakers that we need to adjust, but we are on telephones during the events talking about it. people are checking the community hot line to see where concerns are coming from. what we re looking from is the concentration of complaints and it will tell us that there is something going on there that we need to try to come up with a solution. if we are not able to respond in real time during the event, we will look and have a conversation that evening, and see if there are adjustments that can be made for the following day. supervisor mar: it has really been helpful and i hope the other big events can economically afford that. it is a significant expense, bluegrass did implemented this year for the first time. the resources available for that event of being a for
fans, even the police are smiling. like the late hazel dickens. i have to speed up? supervisor mar: there is a light beat that gives you 30 seconds. my goodness. they put on, without a doubt, one of the best musicals on the planet. the sound system, the scheduling, the food and the service, it is all free to the public. the greatest city in the world, the most beautiful park needs this festival. it brings revenue to the city and involves the kids. after a unanimous vote to rename the speedway last year, it makes no sense to deny this music to be played there. supervisor mar: thank you so much. please come forward. if your names have been called, just please come forward. thank you. hello, supervisors. thank you for meeting with us. my name is terry, one of the supervisors at the festival. it was founded with the principle of giving something back to the community. when we were approached with the idea of starting a music festival, one of the driving forces behind it was h
carpenters, state workers, a restaurant workers, convenience store owners, and performers. they will tell you that golden gate park is for everyone, not just the neighbors that live around it. i would like to ask the folks in the room if you are in support of the upper festival. a pretty powerful statement, there. thank you very much. we have at least 45 folks in the overflow room. we know that these festivals affect nearby neighborhoods and that the city works hard to coordinate and minimize the impact on neighborhoods. it is a tough job, but our city departments to this as well as anyone in the country. we want to make sure that real impacts are addressed, but please do not consider any measures that would restrict the ability of the 99% of us that would benefit from using golden gate park in the manner in which it was intended. we circulated a petition over the last couple of days and received over 1100 signatures for each of you. i urge you to read the comments, which are