By the. Ringback ringback latest collaboration explores the space between. And modern classical. And its an enormous pleasure to have. Here with me in the studio welcome thank you for coming in twice. A labor of love im assuming obviously between the 2 here and its its interesting because its such a very diverse body of songs. From greensleeves to the 20th century composers that youve brought on there john cage. But youve brought it together in such a highly personal narrative can you tell us what is the red thread there. Whats at the base of this album is our shared passion for folk songs because i believe for both of us we really like the simplicity of the folk song and the way that it tells a story. Through the music and i we have been playing folk songs for as long as weve been playing together always putting them as part of our classical concert programs and in the past its always been my very simple basic harmonic accompany meant to the melody to the existing melody which is the
Sandra hi there on sunday or 2 nobody here in kampala uganda and in these tricks shall we go to germany to meet a month whos hoping to touch on the tight when it comes to plastic pollution in the way that he has some other topics well be looking at today. We look at why being a ranger is such a dangerous profession. We also see how brain fingered no wage and already letting thomas 1st stop them from inc. And find out how the plant waste is being put to use in much augusta. Being a ranger can be a dangerous job some 100. 00 wildlife guardians lose their lives each year in their line of duty many of them in east and Central Africa well accidents account for about 50 percent of those fatalities porches were responsible for the other we went to months and forced National Park here in uganda to meet julius or one now the wadded in charge of Law Enforcement there he has been confronting these day in day out for more than 20 years. In the morning roll call julius one a tells his men that poac
Way that he has some other tidbits well be looking at today. We look at why being a ranger in such a dangerous profession. We also see how a briefing that no wage and already letting almost 1st stop them from inc. And find out how blood waste is being put to use in my the gas guy. Being a ranger can be a dangerous job some 100. 00 wildlife guardians lose their lives each year in their line of duty many of them in east and Central Africa well accidents account for about 50 percent of those fatalities porches were responsible for the other we went to months on forced National Park here in uganda to meet julius or one now the wadded in charge of Law Enforcement there has been confronting these per day in day out for more than 20 years. In the morning roll call julius of warner tells his men that poachers have set traps during the night to capture animals. They have to move fast to save the animals lives. After covering a few kilometers and foot with his men. But as the rangers combed the
Way that he has some other topics will be looking out today. We look at why being a ranger example of danger is a profession. We also see how green fingered no wage and already letting almost 1st stop them from inc. And find out how blood waste is being put to use in the mud augusta. Being a ranger can be a dangerous job some 100. 00 wildlife guardians lose their lives each year in their line of duty many of them in east and Central Africa when accidents account for about 50 percent of those fatalities porches were responsible for the other we went to months and forced National Park here in uganda to meet julius or one now the warden in charge of Law Enforcement there he has been confronting these per day in day out for more than 20 years. In the morning Julius Warner tells his men that poachers have set traps during the night to capture animals. They have to move fast to save than most lives after covering a few kilometers and foot with his men one of find. But as the rangers combed t
So that was the yes which premiered here in berlin in 2017 composed by Rebecca Saunders who has joined me in the studio welcome and thanks so much for being here. Now you talk about music having these physical and sensual presence. Sound is almost actually a material in your work how did you develop what i would call a sculptural approach to music its hard to say in a way but. With specialized. Specialized stem projects so i find. Really fascinating to actually create an environment where the audience is inside the sound so often i miss a little wave or do write a lot of normal stage works or chamber where sort of pieces but is fascinating to have the audience within the sound itself so i would have several pieces surrounding the audience and so you very part of the physical listening and performance situation so that piece that we just heard yes was inspired by the famous final chapter of James Joyces Ulysses the monologue of molly bloom this very life affirming monologue tell us what