against harvey weinstein that helped spawn the #metoo movement. a great film paying tribute to the journalistic process. at numberfive, empire of light a film from sam mendes that dealt with racism and love of movies but, to me, it was a compassionate portrait of an unpredictable woman, played brilliantly by 0livia colman, struggling with mental illness. in fourth place, the belgian film close from film maker lukas dhont a disconcerting story of the close friendship between two teenage boys tragically torn apart. photography is like a flash of euphoria. at number three all the beauty and the bloodshed, from laura poitras, focusing on activist photographer nan goldin and her efforts to hold a wealthy family responsible for the opioid crisis. very creatively brought together by poitras.
action epic for the joy it brings to all who watch it. the musical moments were the best, so vibrant and alive compared to standard escapist moviemaking. at number nine, good luck to you, leo grande, in which emma thompson plays an older woman seeking sexual adventure with a younger man. if nothing else, it proves that emma thompson really is a brilliant actor. so, what does her heartbeat sound like? in eighth place, avatar: the way of water. why? because it is such an impressive feat by james cameron in harnessing technology to create a magical world. at number seven, the fabelmans, steven spielberg s semi autobiographical story about how he developed a passion for moviemaking and the complexities of his family life. his most grown up film to date and possibly one of his best. we re from the new york times. i believe you used to work for harvey weinstein? just ahead of the fabelmans, the movie she said, the story of two new york times journalists who wrote a report on the sexual abuse
the #metoo movement. a great film paying tribute to the journalistic process. at numberfive, empire of light a film from sam mendes that dealt with racism and love of movies but, to me, it was a compassionate portrait of an unpredictable woman, played brilliantly by 0livia colman, struggling with mental illness. in fourth place, the belgian film close from film maker lukas dhont a disconcerting story of the close friendship between two teenage boys tragically torn apart. photography is like a flash of euphoria. at number three all the beauty and the bloodshed, from laura poitras, focusing on activist photographer nan goldin and her efforts to hold a wealthy family responsible for the opioid crisis. very creatively brought together by poitras. in the number two position, aftersun
brings to all who watch it. the musical moments were the best, so vibrant and alive compared to standard escapist moviemaking. at number nine, good luck to you, leo grande, in which emma thompson plays an older woman seeking sexual adventure with a younger man. if nothing else, it proves that emma thompson really is a brilliant actor. so, what does her heartbeat sound like? in eighth place, avatar: the way of water. why? because it is such an impressive feat by james cameron in harnessing technology to create a magical world. at number seven, the fabelmans, steven spielberg s semi autobiographical story about how he developed a passion for moviemaking and the complexities of his family life. his most grown up film to date and possibly one of his best. we re from the new york times. i believe you used to work for harvey weinstein? just ahead of the fabelmans, the movie she said, the story of two new york times journalists who wrote a report on the sexual abuse allegations against harvey
to the journalistic process. at numberfive, empire of light a film from sam mendes that dealt with racism and love of movies but, to me, it was a compassionate portrait of an unpredictable woman, played brilliantly by 0livia colman, struggling with mental illness. in fourth place, the belgian film close from film maker lukas dhont a disconcerting story of the close friendship between two teenage boys tragically torn apart. photography is like a flash of euphoria. at number three all the beauty and the bloodshed, from laura poitras, focusing on activist photographer nan goldin and her efforts to hold a wealthy family responsible for the opioid crisis. very creatively brought together by poitras. in the number two position, aftersun an experimentalfilm.