particularly sacred. you do have the bay eethoven an also the fourth movement from the beethoven s symphony. not a particularly sacred piece but here anyway, enhancing the spiritual movement. the menu of music is
to go the distance with you. go long. and now it is time for the mix. we bring you a very unique story, a 4-year-old boy out of cypress who has an interesting way of playing the keyboard. beethoven s ode to joy with, yep, with his nose. shall we call it nose to joy ? nose to joy could be. he does a great job, listen. his dad says he has been playing the piano a month and decided to instead of his fingers use his nose. and note to whoever plays that keyboard afterward. be sure to get the clorox wipes, de-sanitize. i thought of pounding my head on
and find the aarp medicare supplement plan to go the distance with you. go long. and now it is time for the mix. we bring you a very unique story, a 4-year-old boy out of cypress who has an interesting way of playing the keyboard. beethoven s ode to joy with, yep, with his nose. shall we call it nose to joy ? nose to joy could be. he does a great job, listen. his dad says he has been playing the piano a month and decided to instead of his fingers use his nose. and note to whoever plays that keyboard afterward. be sure to get the clorox wipes, de-sanitize. i thought of pounding my head on the desk, when i am stressed out. this guy is making me stressed out with the pecking order. i don t know, cramping my neck.
the first gasp from the crowd when they are told that president kennedy is dead, obviously just shock and surprise. the second gasp when the conductor introduces the funeral march is almost a more heartbreaking sound, because it almost sounds angry from people who cannot believe that they have just been told. last week, time magazine interviewed the boston symphony orchestra s longtime librarian, who was tasked that day by the conductor, just ten minutes before the performance, to find and then collate and distribute to the orchestra the music for that movement of beethoven s third symphony, so they could play the funeral march. he told time, quote, the musicians were already there on the stage, in their places, and the hall was filled with people. i had to tell each of the musicians as i was handing out the music what was going on. that was the first they knew of the death. it was not an easy moment for them or for me. one of the most intimate and almost surprisingly poetic acco
surprise. the second gasp when the conductor introduces the funeral march is almost a more heartbreaking sound, because it almost sounds angry from people who cannot believe that they have just been told. last week, time magazine interviewed the boston symphony orchestra s longtime librarian, who was tasked that day by the conductor, just ten minutes before the performance, to find and then collate and distribute to the orchestra the music for that movement of beethoven s third symphony, so they could play the funeral march. he told time, quote, the musicians were already there on the stage, in their places, and the hall was filled with people. i had to tell each of the musicians as i was handing out the music what was going on. that was the first they knew of the death. it was not an easy moment for them or for me. one of the most intimate and almost surprisingly poetic accounts of what happened that day is an audio diary that was recorded late in the day by the