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Samuel Beckett s Happy Days, Princeton University s Fund for Irish Studies
Samuel Becketts Happy Days Princeton Universitys Fund For Irish Studies
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4:30 PM
A filmed production of Samuel Beckett s Happy Days ( One of the most unforgettable plays in the modern canon. –The New York Times), produced by The Wild Project of New York s East Village in association with Princeton University s Fund for Irish Studies in recognition of this modernist masterpiece s 60th anniversary. In the ultimate emblem of perseverance, Beckett s Winnie, a tour de force of charm and grit helplessly buried up to her waist in the ground, endures the wearisome humdrum of endless, interchangeable days. And now, speaking to an audience who has faced a year of quarantine, the play endures as well. Featuring Princeton alumni Tessa Albertson and Jake Austin Robertson and directed by alumnus Nico Krell.
Common calendar, Packet papers, March 5
Common calendar, Packet papers, March 5
Ongoing
Central Jersey SCORE, a non-profit resource partner of the Small Business Administration, is looking for volunteers to assist people looking to start a business or grow an existing small business.
The organization is recruiting business owners and executives, both current and retired, who want to share their experience and knowledge with today’s up-and-coming entrepreneurs.
The Central Jersey Chapter of SCORE serves Middlesex, Somerset and Hunterdon counties.
Central Jersey SCORE provides in-person mentoring and webinars, both offered virtually in line with current pandemic restrictions. In addition, the SCORE website offers tools and templates on a wide variety of topics and numerous online courses and webinars to assist small business owners through every aspect of business development and management. Services are offered free of charge.
February 24, 2021
Ten and twenty years ago I used to play a minor parlor trick; I wonder if it would still work. When asked my favorite writer, I’d say “Shirley Jackson,” counting on most questioners to say they’d never heard of her. At that I’d reply, with as much smugness as I could muster: “You’ve read her.” When my interlocutor expressed skepticism, I’d describe “The Lottery” still the most widely anthologized American short story of all time, I’d bet, and certainly the most controversial, and censored, story ever to debut in
The New Yorker counting seconds to the inevitable widening of my victim’s eyes: they’d not only read it, they could never forget it. I’d then happily take credit as a mind reader, though the trick was too easy by far. I don’t think it ever failed.