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Exhibition explores the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi Josef Albers, Study for Homage to the Square, 1973 © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York. Courtesy The Josef and Anni Albers Foundation and David Zwirner. NEW YORK, NY .-David Zwirner is presenting Albers and Morandi: Never Finished. On view at the gallery’s 537 West 20th Street location, the exhibition explores the formal and visual affinities and contrasts between two of the twentieth century’s greatest painters: Josef Albers (1888–1976) and Giorgio Morandi (1890–1964). Both Albers and Morandi are best known for their decades-long elaborations of singular motifs: from 1950 until his death in 1976, Albers employed his nested square format to experiment with endless chromatic combinations and perceptual effects, while Morandi, in his intimate still lifes and occasional landscapes, engaged viewers’ perceptual understanding a

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