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Roger Corman s Best Horror-Comedy Pokes Fun at the Tortured Artist Trope

Roger Corman s Best Horror-Comedy Pokes Fun at the Tortured Artist Trope
collider.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from collider.com Daily Mail and Mail on Sunday newspapers.

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The 10 Best Roger Corman Movies, According to IMDb

The 10 Best Roger Corman Movies, According to IMDb
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John Carpenter guilty pleasures

John Carpenter shared a list of 17 guilty pleasures, including "the ultimate Japanese monster movie" The War of the Gargantuas

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Obituary: Monte Hellman, cult director whose only studio film was hailed as an existential masterpiece

Died: April 20, 2021. MONTE Hellman, who has died aged 91, was a film director who became the ultimate outsider. One of a generation of auteurs to have come of artistic age on the back of the post-Second World War US counterculture, his work was equally in tune with European philosophical sensibilities. The fusion of the two made for a brooding and ennui-laden canon that chimed with the times. This was seen best in Two-Lane Blacktop, (1971), an existential road movie starring singer-songwriter James Taylor and Beach Boy Dennis Wilson alongside Laurie Bird and semi-regular Hellman collaborator, Warren Oates. The British film critic, Philip French, later described it as an “existential masterpiece”.

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Monte Hellman obituary

Monte Hellman obituary Ronald Bergan © Provided by The Guardian Photograph: Landmark Media/Alamy Whenever the name of the director Monte Hellman is mentioned, it is accompanied by the word “cult”. It is possible that Hellman, who has died aged 91, gained cult status because of his reputation as a maverick, like his favourite actors Jack Nicholson and Warren Oates, and because his films were so few and far between. After Two-Lane Blacktop (1971), his most accomplished and celebrated movie, Hellman had only five full-length features credited to him. Nevertheless, he was not idle for all that time. He taught film-making at the California Institute of the Arts, and worked on various projects for other people, some uncredited. For example, Hellman finished two pictures in post-production, the Muhammed Ali biopic The Greatest (1977) and Avalanche Express (1979), after the deaths of their directors, Tom Gries and Mark Robson respectively.

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