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Shortly after she first moved to Philadelphia, Florence Madenga wandered into a block party happening in her neighborhood and found herself right at home. She didn’t know anyone, but quickly found that folks were friendly and talkative, which she describes as a welcome change from years of living in New York City.
Madenga, now a third-year doctoral student at the Annenberg School, appreciates the openness and candor with which many Philadelphians conduct themselves, and she says it’s great for doing the kind of ethnographic research she’s interested in.
“In Philly, not only are people willing to talk to you about anything,” she says, “they’re going to tell you what they actually think and feel about it, no holds barred.”
Holocaust and Genocide Studies 17.1 (2003) 62-88
The Holocaust and American Public Memory, 1945-1960
San Diego State University
Abstract: Until the 1960s, many scholars assert, most Americans
awareness of the Holocaust was based upon vague, trivial, or inaccurate
representations. Yet the extermination of the Jews was remembered in
significant ways, this article posits, through World War II accounts,
the Nuremberg trials, philosophical works, comparisons with Soviet
totalitarianism, Christian and Jewish theological reflections, pioneering
scholarly publications, and mass-media portrayals. These early postwar
attempts to comprehend the Jewish tragedy within prevailing cultural
paradigms provided the foundation for subsequent understandings of
that event.
Between the end of the war and the 1960s, as anyone who has lived
disaster. if we were reading the news about these events, we should be willing to see the pictures about these events. the pictures do different things. but they are no less important as vehicles of information. so as long as we say we want to know about this event, but i don t want to see pictures about it, we are not accepting or recognizing how these images bring us up in a way that is different from other ways. host: some would argue that this image that we are about to show in about to die , is very different than a man on a train track or a woman jumping out of the building. guest: it was taken in this fashion. there was a small child that was dying of starvation. this photograph is different. people facing death and their capacity and many awards appeared in time magazine. and the criticism started coming and started coming and critiquing and there were many leaders there as well. and of course, carter was not able to provide the answers. there were many erroneous
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