i. i just i m trying to say call civilization and manage it all so you know all. those people all. always share it was very you social but it was something even if you know your mother being. in love with the ghetto you know it is not. i. the chinese artist ai wei wei has made the global crisis surrounding displacement refugees migration and exile the central theme of his recent work. for using induction here you are since twenty fourteen more than ten thousand refugees have to and the mediterranean people.
what as his mother i was very worried whether he was even alive or whether he was still with us whether he was being mistreated. i went through hell during those a few one days. well hello i m sending this picture to my grandson so he can see what his grandfather looks like washed up this year this is what i read. that my darling this is my favorite photograph of me and your grandfather. it was taken in shanghai before your father was born messed up and i ching and go he didn t you know that s almost sixty years ago amazing. really almost sixty years i don t know if you were twenty three that you know yes from the artist. or.
celebrate the sixtieth anniversary of the end is a treaty. and the pavilion kept getting fuller. three international artists and one german one were invited to represent germany in venice in the french pavilion. although he was invited chinese artist ai wei wei couldn t travel to venice in two thousand and thirteen as his passport had been confiscated. but his installation bang composed of eight hundred eighty six tools made it to be an alley without him. what you re going. to try. every artist s right to express him or herself and to communicate what you do with her. conley don t have that right. showed you how i believe it s impossible to suppress one s imagination and passion e pain can they can only be suppressed superficially her appeal may have
and as technology. allows that to happen and as public tolerance for this type of activity because of the culture of fear and paranoia that s created as a result of. terrorism in extreme violence. for years now muslims in new york city have been under new york constant surveillance in two thousand and eleven the associated press released secret documents compiled by a special police unit such everyday activities as shopping praying and exercising were monitored the result is a climate of fear and suspicion. such practices were all too familiar to east germans the state security ministry archives are packed with files that document the most mundane daily activities even using a public letter box was cause enough for suspicion. when chinese artist ai wei wei
and as technology. allows that to happen and as public tolerance for this type of activity because of the culture of fear and paranoia that s created as a result of. terrorism in extreme violence. for years now muslims in new york city have been under new york constant surveillance in two thousand and eleven the associated press released secret documents compiled by a special police unit such everyday activities as shopping praying and exercising were monitored the result is a climate of fear and suspicion. such practices were all too familiar to east germans the state security ministry archives are packed with files that document the most mundane daily activities even using a public letter box was cause enough for suspicion. when chinese artist ai wei wei