The Names of the Flowers is on questions surrounding a witness to a historical event
Perhaps there was never a time when history was contested in daily political debates as is being done now. Multiple narratives of the same incident spread in mutually exclusive online bubbles and long-forgotten chapters from the past are revived as the lines between myth and history blur and falsification of history becomes common.
In
The Names of the Flowers, debut directorial of Bahman Tavoosi, being screened in the International Competition category at the 25th International Film Festival of Kerala (IFFK), the questions are surrounding a particular witness to a historical event. In the higher ranges of Bolivia, the region where Ernesto Che Guevara was gunned down amid a guerilla war, the government is planning to organise events to mark the 50th anniversary of that event.