Serbian film opens 22nd Jeonju International Film Festival
Posted : 2021-05-02 12:01
Updated : 2021-05-02 15:49
A movie fan takes a photo of the film poster for Father, which was chosen as the 22nd Jeonju International Film Festival s opening film on Jeonju Film Street, Saturday. Yonhap
By Kwak Yeon-soo
JEONJU ― The Jeonju International Film Festival (JIFF), an annual celebration of indie films, kicked off its 10-day run Thursday and will run through May 8, featuring nearly 200 films.
Under the slogan, Film Goes On, a total of 194 films from 48 countries will be screened during the festival at four local theaters. For those unable to attend, 142 films are also available on the local streaming platform Wavve.
Serbian film opens 22nd Jeonju International Film Festival
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Synopsis
As a result of a traffic accident involving a violation of the centerline, the perpetrator dies, and the victim falls into a coma. After some time, the wife of the perpetrator, Hee-joo, returns. Hee-joo is bewildered at the fact that the victim s wife Yeong-nam is also working at the factory where she goes to work. By accident, Hee-joo becomes close with Yeong-nam s daughter Eunyoung and learns a new fact about the incident. The true nature of this accident, where Hee-joo s husband was known to have crossed over the centerline, is actually very complicated. Since the social issues of dispatched labor and industrial accidents and personal issues of depression and family trouble are intertwined here, it is more difficult to apprehend. Black Light focuses on the relationship between two women facing great misfortune. As the truth about the incident slowly reveals, the two women in tense conflict seems to realize that the source of the pain did not originate from each other. Th
Synopsis
As a result of a traffic accident involving a violation of the centerline, the perpetrator dies, and the victim falls into a coma. After some time, the wife of the perpetrator, Hee-joo, returns. Hee-joo is bewildered at the fact that the victim s wife Hee-joo is also working at the factory where she goes to work. By accident, Hee-joo becomes close with Hee-joo s daughter Eunyoung and learns a new fact about the incident. The true nature of this accident, where Hee-joo s husband was known to have crossed over the centerline, is actually very complicated. Since the social issues of dispatched labor and industrial accidents and personal issues of depression and family trouble are intertwined here, it is more difficult to apprehend. Black Light focuses on the relationship between two women facing great misfortune. As the truth about the incident slowly reveals, the two women in tense conflict seems to realize that the source of the pain did not originate from each other. That w
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