There is bad writing that exists outside the disco moves of subjectivity. For those who find it not just bearable but downright pleasurable, well, they are admirers of bad writing. Their quality of suffering in this world will, therefore, be less painful.
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Let s talk about the grand
Slate Star Codex brouhaha.
A lot of people have already written about this. Here is the original
New Yorker essay from last June is probably the best “neutral” piece that has been written yet; If you do not know anything about
Slate Star Codex or why so many people are writing about it now, start there. Sebastian Benthall s commentary is also a very good middle ground analysis.[4]
I am sure there has been a great deal of debate on twitter as well. I have not read it and thus cannot link to it: I unfollowed everyone on Twitter except a handful of newspapers and thus dwell in blissful ignorance. Indeed, from the perspective of one slowly letting go of Twitter following this debate has been great fun. Linking to all those blogs and substacks feels like reliving a memory from an older, better internet.
Ah, plot holes they’re gaping maws where the lack of logic meets bad writing to capsize a movie and make it sink just like Jack from ‘Titanic’ (sorry, was that too soon to make a joke about it? Rose might not like it!).
But… here’s the problem. Some major movie plot holes aren’t even plot holes! In fact, the films themselves explain everything away, whether openly or more subtly. To the perceptive viewer, everything makes sense because they see the producers gracefully covering their tracks through visual and verbal storytelling.
To the internet, however, these supposed ‘plot holes’ are a stain on the movies’ reputations. We’ve collected some of the best non-plot hole ‘plot holes’ for you to enjoy from the fun and enlightening thread by redditor Animeking1108 (you can tell that they’re a visual media fan already). Don’t forget to upvote the responses that made the most sense to you as you continue scrolling. Onward to cinematic glory!