Throughout this year there are numerous events celebrating the one hundredth anniversary of the beginning of the Bauhaus School one of the most influential movements of art and design in the Twentieth Century and is still influencing our design All Over The World Today but our house was founded by visor copius in the city of weimar and thats where a new museum has to celebrate the anniversary and includes every day bauhaus designs some of which maybe youll recognize. Together let us conceive and create the new building of the future those were the goals of bauhaus according to their founding manifesto from Nine Hundred Nineteen one hundred years later the city of via mar has erected a new monument to this global Modernist Movement the chief curator for architecture and design from new yorks Museum Of Modern Art has flown over especially for the unveiling that is either coming up and on one hand you can definitely say that modern visual culture and our current visual culture is impossib
communities towards women who would like to take off their head scarves who don t want to wear one at all they are told they are dressing like a western woman but a muslim can t dress that way and i think you have to take that into consideration when you present islamic dress as fashion and islamic. as mordor insignia does fashion reflect institutional political power structures or is it an expression of individual freedom this is at the core of the frankfurt exhibit found wherever you stand on the issue a topic worthy of debate. we will now briefly with our colleague scott rocks now this exhibition was in san francisco before coming to frank was controversial that was controversial but not nearly as much as it was here in frankfurt and the debate there seemed to be more about young muslim women and how they see themselves and see their fashion and that
without bauhaus it s become part of our d.n.a. so that we almost don t notice it anymore but on the other hand and this seems even more important to me the ideas about house are still in our heads as an enduring utopia. autopia don t seem to cope because it s by mark has spent twenty seven million euros and three and a half years building this minimalist concrete cuba on the site where bounce was founded it s a treasure chest holding the world s oldest down house collection from founder vonta going to use himself some one hundred sixty eight works the famous table lamp from vilhelm fog and thousand kolya. mounting up on steep conch. the ceramics of t.r.w. . two thousand square metres of exhibition space over five floors the structure was built to reflect an industrial workshop the exhibit is meant to spark debate not eulogize the past and says how much semen of the weimar classic foundation thus the