What are percussion’s most exciting and precarious orchestral moments? Amanda Holloway talks to ten players about the bars that get their hearts pumping
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I once knew a monster who said she could not read Proust because there were no figures in Proust with whom she could identify. Theodore W. Adorno, ‘Aesthetics’ (1958-59) Getting an audience to identify themselves in a work – ‘being seen’ – is one of the only reasons why art is commissioned, celebrated or even