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Nina-Sophia Miralles: Glossy - debut author takes on Vogue and the Condé Nasties

Nina-Sophia Miralles: Glossy - debut author takes on Vogue and the Condé Nasties
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Gloss, grit & the making of a fashion legend

  For 129 years, Vogue magazine has been the world’s most prestigious style bible. Nina-Sophia Miralles looks back at the moguls, models and eccentric editors that made it a success – even during the Blitz    The first edition of Vogue hit newsstands across America on 17 December 1892, priced at ten cents, with a black-and-white illustration of a debutante on the cover. It was the brainchild of Arthur Baldwin Turnure, a lawyer turned publisher and a member of New York high society. Arthur dubbed Vogue the magazine ‘written by the smart set, for the smart set’. By making it a high-quality society magazine, he appealed to both middle-class readers, who would buy it to see what the rich were up to, and to upper-class readers, who bought it to feed their egos.

How war photographer Lee Miller saved Vogue and British fashion during World War 2

How war photographer Lee Miller saved Vogue and British fashion during World War 2 Photographer Lee Miller became a key contributor to British Vogue during the war years. An exhibition of her work, some unseen, opens in May 6 March 2021 • 6:00am Model Elizabeth Cowell photographed by Lee Miller wearing a Digby Morton suit in London, 1941 Credit:  ©Lee Miller Archive, England 2020  Fresh from swimming on the Côte d’Azur with her friend Picasso, the photographer Lee Miller would have been dazzlingly tanned – pale blonde hair gleaming – when she turned up at British Vogue’s New Bond Street HQ in September 1939, aged 32, on the hunt for a job.

Aesthetica Magazine - Creativity and Resilience

Creativity and Resilience A woman stretches upwards, face tipped back, arms reaching towards the sky, her entire form shimmering silver. Shot in 1942, this striking solarised portrait isn’t what comes to mind when you think of Lee Miller’s (1907-1977) wartime work for British Vogue – hard hitting reportage showing weary nurses on the frontline, women accused of collaboration and ex-prisoners of the newly liberated Dachau concentration camp. But she also shot a great many fashion editorials for the magazine during this time – and this, less familiar, aspect to Miller’s wartime work is the focus of an exhibition opening at Farley’s House and Garden.

Do Times Of Adversity Lead To Creative Growth? An Investigation

So, do difficult times spur creativity or merely survival? It’s a question that’s been debated since time immemorial, often spot-lit when we find ourselves in the midst of challenging circumstances once more. During the first lockdown the question was posed again. How, people asked, will this time of disruption and loss affect what is being created and put out into the world? Will it lead to a visionary rethinking of systems and forms? Will it affect our art? Our culture? The clothes we wear? Like Shakespeare writing King Lear during one plague or Isaac Newton discovering calculus during another, what new innovations or discoveries might be made here?

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