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film profile] (2010), which was presented in Cannes’ Directors’ Fortnight line-up and nominated for a César. What unites all of his documentaries is a stated desire to play with film genres: courtroom dramas in the case of Cleveland Versus Wallstreet, films about “vampires” as represented by the ambiguous and unscrupulous character of Blocher, or science-fiction with regard to his latest work The Brain, which was presented in an international premiere at Solothurn Film Days where it’s currently in the running for the Prix de Soleure. (The article continues below - Commercial information) As emphasised by the director, “at the beginning of this 21st century, science-fiction has entered the realm of the laboratory”, and research into artificial intelligence seems to have replaced exploration into biological brain function. With

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