mike lee were festival regulars, but this year, no british film and a spotin this year, no british film and a spot in the captive competition. but there were plenty of directors represented elsewhere in the festival, a new group moved into the foreground here, as emma jones reports. foreground here, as emma jones reorts. ., ., , reports. cow, an immersive documentary reports. cow, an immersive documentary about - reports. cow, an immersive documentary about the i reports. cow, an immersive i documentary about the life-cycle reports. cow, an immersive - documentary about the life-cycle of documentary about the life cycle of cows and the exploitation, was part of year s decidedly female gaze from the british at cannes this year. arnold, who made the feature film honey, was also part of the jury. i m not calling it that any longer. the second i m not calling it that any longer. the second part of the souvenir, also premiered in the director s fortnight section, which continues her sem
films now coming from a place that is really personal and a rawness and realness is really personal and a rawness and realnes ., ., is really personal and a rawness and realnes . . , , ., ., realness and a desperate need to communicate realness and a desperate need to communicate something - realness and a desperate need to communicate something and i realness and a desperate need to communicate something and we | realness and a desperate need to i communicate something and we cannot really take things for granted as we used to do. h0 really take things for granted as we used to do. ., ., , really take things for granted as we used to de used to do. no one is taking for ranted used to do. no one is taking for granted either used to do. no one is taking for granted either the used to do. no one is taking for granted either the days - used to do. no one is taking for granted either the days of- used to do. no one is taking for granted either the days of the l used to do. no one is
anti semitism is rising and the holocaust continue to be denied. industry experts at cannes thought the film has micro prospects were good but i see huge potentialfor that from all over the that from all over the world, families will that from all over the world, families will want that from all over the world, families will want children i that from all over the world, i families will want children to that from all over the world, - families will want children to see this film families will want children to see this film because it will open their eyes to this film because it will open their eyes to something they need to know about eyes to something they need to know about. 00 eyes to something they need to know about. ,, ~ , ., about. do you think it is an entertainment about. do you think it is an entertainment that - about. do you think it is an entertainment that will - about. do you think it is an - entertainment that will engage children? , t, entertainment that w
dropping and in the world because micro i m putting myself in all these countries around the world i always remembered that it was my place to learn at and always remembered that it was my place to learn a place to learn at and experience what all these place to learn at and experience what all these other place to learn at and experience i what all these other change-makers what all these other change makers were doing. for what all these other change-makers were doinu. ., ., what all these other change-makers were doinu. ., . . ., , were doing. for all the directors in this film section, were doing. for all the directors in this film section, there were doing. for all the directors in this film section, there was - were doing. for all the directors in this film section, there was an i this film section, there was an urgency for those who work in the mother cinema to listen to locals. there was ans ever time to beat the drum, this will be at. for all of this to exist, we need
very impressed by an israeli made film, and animated war docudrama in which the search for memories as a soldier during a time of conflict is depicted. it wanted me, so i was intrigued when i heard that the director was returning to cannes this year with a very different kind of animated film inspired by and frank. anne frank. when adolf hitler came to power in 1933, german born anne frank fled with herjewish family to amsterdam. 30 years in the 19405, family to amsterdam. 30 years in the 1940s, they hid it during the nazi occupation in a secret annexe in the body where her father worked. this secret body where her father worked. ti 3 secret apartment is going to be the secret apartment is going to be the secret hiding place. secret hiding place. much of the animation is secret hiding place. much of the animation is that secret hiding place. much of the animation is that whilst - secret hiding place. much of the animation is that whilst she i secret hiding place. much of the an