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Phillips marks its centennial by looking ahead to the next century

May 22, 2021 Horace Pippin’s “Domino Players” is featured in “Seeing Differently: The Phillips Collects for a New Century.” (Photo: The Phillips Collection) The Phillips Collection may have hit the grand old age of 100, but its spectacular celebratory exhibition isn’t stuck in the past. For its centennial, the Phillips Collection is showcasing 200 works, including Georgia O’Keeffe’s “Large Dark Red Leaves on White.” (Photo: The Phillips Collection; © 2021 The Georgia O’Keeffe Foundation/Artist Rights Society, NY) Even as the show reflects on the museum’s own history, “Seeing Differently: The Phillips Collects for a New Century” is grappling with the future. In it, 100 years feels both epic and intimate, spanning continents and human experiences while the curators look to tie the show both to the Phillips’ longtime mission and the next century of acquisitions.

Marcel Duchamp Wasn t the Only Artist With an Alter Ego Here Are 6 of the Greatest Art Aliases of All Time

Marcel Duchamp Wasn t the Only Artist With an Alter Ego Here Are 6 of the Greatest Art Aliases of All Time
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In Philadelphia, Explore How Old Masters Influenced Expressionists

March 12, 2021 Given my general preference for art created before World War II, it would seem trundling along to view the new exhibition, “Soutine/de Kooning: Conversations in Paint” which opened last weekend at the Barnes Foundation in Philadelphia wouldn’t be on the cards. Yet this intriguing show not only shines a deserving spotlight on a truly intense, talented artist but also reveals a great deal about the unexpected art-historical influences on an artist whose work I’ve always disliked. Who says you can’t teach a middle-aged art critic new tricks? Expressionist painter Chaïm Soutine (1893–1943) and Abstract Expressionist painter Willem de Kooning (1904-1997), although only a decade apart in age, inhabited very different artistic worlds. Both left the lands of their birth Russia and The Netherlands, respectively to make their fortunes elsewhere.

The San Francisco Museum of Modern Art Lands a Major Gift of Work by Black American Artists From Pamela Joyner and Alfred Giuffrida

The San Francisco Museum of Modern Art Lands a Major Gift of Work by Black American Artists From Pamela Joyner and Alfred Giuffrida The donated works are primarily by artists born before 1930. Pamela Joyner. Photo: Drew Altizer. The San Francisco Museum of Modern Art is having a very good week. Just a few days after re-opening, following more than three months of a second lockdown, the museum has announced a landmark gift of 31 paintings, sculptures, and drawings by 20 American artists from the prestigious Pamela J. Joyner and Alfred J. Giuffrida Collection, known for its extensive focus on abstract work made by artists of the African diaspora.

Signaling an Enduring Appetite for Young Art, Phillips s New Now Sale Brings in a Record $9 5 Million

Lotus (2017) ©Monita K.Y. Cheng/Artist Rights Society (ARS) New York Phillips’s marathon sale of contemporary art, “New Now,” proved that the appetite for new art even if it doesn’t come in the form of an NFT is strong. The five-hour sale, which featured nearly 200 lots, brought in $9.5 million, handily exceeding its high estimate of $5.2 million. (Final prices include auction-house premiums; estimates do not.) The results, which included 20 new artist records and strong prices for figures including Matthew Wong, Hernan Bas, Katherine Bradford, and Vaughn Spann, demonstrated the “resilience and fortitude of the middle market,” says Patrizia Koenig, who recently took over as head of New Now in New York. Bidders from roughly 60 countries participated online and over the phone.

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