in the exhibition shows the harem of an important person. they are having tea on a balcony overlooking a park with very large trees. the portraits of the women their faces have an incredible stillness. i think what s happened is that isma iljalayir wouldn t have had access, and so he s been given photographs of them in order to create the painting. that sort of leads us through to the 20th century and there, we show examples of the art of iran after the introduction of art school training in the western style in the 19405, and how iran in the 19605 and 705 developed a form of modernism that was in tune with international movements, but also had artists who were creating specifically iranian works of art. and now, it s time to see some masterpieces of the modern period.
the painting that we have in the exhibition shows the harem of an important person. they are having tea on a balcony overlooking a park with very large trees. the portraits of the women their faces have an incredible stillness. i think what s happened is that isma iljalayir wouldn t have had access, and so he s been given photographs of them in order to create the painting. that sort of leads us through to the 20th century and there, we show examples of the art of iran after the introduction of art school training in the western style in the 1940s, and how iran in the 1960s and 70s developed a form of modernism that was in tune with international movements, but also had artists who were creating specifically iranian works of art.
the introduction of art school training in the western style in the 19405, and how iran in the 19605 and 705 developed a form of modernism that was in tune with international movements, but also had artists who were creating specifically iranian works of art. and now, it s time to see some masterpieces of the modern period. there s two really great and important stories to tell. one, of course, is how dynamic modernity was in iran in the mid 20th century. between the second world war and the iranian revolution, there was an incredible scene of arts within iran. you had many different art schools and academies, you had private galleries, you had, by the early 50s, 700 newspapers, public television which was a very
they are having tea on a balcony overlooking a park with a very large trees. the portraits of the women their faces have an incredible stillness. i think what s happened is that isma iljalayir wouldn t have had access so he s been given photographs of them in order to create the painting. that sort of leads us through to the 20th century and there, we show examples of the art of iran after the introduction of art school training in the western style in the 19405, and how iran in the 19605 and 705 developed a form of modernism that was in tune with international movements, but also had artists who were creating specifically
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