i could ve watched the opening bus scene, in which souad tells various strangers tall stories about her fiance, for hours. and there s a subtle bathroom moment that speaks volumes about repressed female sexuality. souad s second half isn t quite as strong as its first, but it is still a real find when it comes to thoughtful art house fare. it s in cinemas now, including london s bfi southbank, as part their season on contemporary arab cinema. ten, ten, through the course of this, there s been a terrorist incident. a what? they were speaking their own language, they weren t - speaking in english. you don t think they could ve been speaking welsh? this gentleman was sent by a crime family who are intent on taking over your turf.
strangers tall stories about her fiance, for hours. and there s a subtle bathroom moment that speaks volumes about repressed female sexuality. souad s second half isn t quite as strong as its first, but it is still a real find when it comes to thoughtful art house fare. it s in cinemas now, including london s bfi southbank, as part their season on contemporary arab cinema. ten, ten, through the course of this, there s been a terrorist incident. a what? they were speaking their own language, they weren t - speaking in english. you don t think they could ve been speaking welsh? this gentleman was sent by a crime family who are intent on taking over your turf. hand over your takings!
moment that speaks volumes about repressed female sexuality. souad s second half isn t quite as strong as its first, but it is still a real find when it comes to thoughtful art house fare. it s in cinemas now, including london s bfi southbank, their season on contemporary arab cinema. ten, ten, through the course of this, there s been a terrorist incident. a what? they were speaking their own language, they weren t - speaking in english. you don t think they could ve been speaking welsh? this gentleman was sent by a crime family who are intent on taking over your turf. hand over you takings! how much is it? £1.20. oh, come on! last week, i mentioned michael smiley s great supporting
film maker ayten amin draws excellence performances from her cast of newcomers, and everyday scenes become riveting under her keen observational eye. i could ve watched the opening bus scene, in which souad tells various strangers tall stories about her fiance, for hours. and there is a subtle bathroom moment that speaks volumes about repressed female sexuality. souad s second half isn t quite as strong as its first, but it is still a real find when it comes to thoughtful art house fare. it s in cinemas now, including london s bfi southbank, spotted their season on contemporary arab cinema. ten, ten, through the course of this, there s been a terrorist incident. a what? they were speaking their own
scene, in which souad tells various strangers tall stories about her fiance, for hours. and there s a subtle bathroom moment that speaks volumes about repressed female sexuality. souad s second half isn t quite as strong as its first, but it is still a real find when it comes to thoughtful art house fare. it s in cinemas now, including london s bfi southbank, their season on contemporary arab cinema. ten, ten, through the course of this, there s been a terrorist incident. a what? they were speaking their own language, they weren t - speaking in english. you don t think they could ve been speaking welsh? this gentleman was sent by a crime family who are intent on taking over your turf. hand over you takings! how much is it?