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Raveena Tandon s Netflix Debut in Aranyak Is Impressive – A Subhash K Jha Review | BollySpice com – The latest movies, interviews in Bollywood

Raveena Tandon s Netflix Debut in Aranyak Is Impressive – A Subhash K Jha Review | BollySpice com – The latest movies, interviews in Bollywood
bollyspice.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bollyspice.com Daily Mail and Mail on Sunday newspapers.

As an actress, many people remember me by Mera Naam Joker to this day – says Simi Garewal : Bollywood News

As an actress, many people remember me by Mera Naam Joker to this day – says Simi Garewal : Bollywood News
bollywoodhungama.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bollywoodhungama.com Daily Mail and Mail on Sunday newspapers.

For Canadian-Pakistani filmmaker, Karachi is both muse and escape

How Aparna Sen balanced her deep respect for Satyajit Ray with a critique of his choices

How Aparna Sen balanced her deep respect for Satyajit Ray with a critique of his choices
scroll.in - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from scroll.in Daily Mail and Mail on Sunday newspapers.

How would Satyajit Ray have responded to the pandemic?

A marked shift in realising this moral decay on screen is apparent from Aranyer Din Ratri to his Calcutta trilogy Pratidwandi, Jana Aranya. In Pratidwandi, Dhritiman Chatterjee’s Siddhartha declares that he doesn’t want to leave Kolkata, no matter that he is unemployed, with his mind unable to find an ideological footing. The film coincided with the Naxalite movement that began in Bengal, with the caste system and land rights at its root. Still from ‘Pratidwandi’.   It’s no coincidence that the trilogy charted the course of Indira Gandhi’s India as it inched towards Emergency, creating a swelling anger at the state. Ray’s films still focused on capturing the Bengali Brahmin’s, or more importantly, India’s ruling class’s frustration with itself and the country. The trilogy’s protagonists Siddhartha in

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