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Translation changes the original meaning : how 70s psych rockers Happy End ended the Japanese rock controversy | Music

In 1969, Takasshi Matsumoto and Haruomi Hosono opted to defy rock trends by singing in Japanese, not English – paving the way for ‘city pop’ and J-pop

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Ryuichi Sakamoto, Yellow Magic Orchestra Member and Oscar-Winning Composer, Dead at 71

Ryuichi Sakamoto, Yellow Magic Orchestra Member and Oscar-Winning Composer, Dead at 71
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Cong suDavid sylvainBrian de palmaBernardo bertolucciAfrika bambaataaDavid byrneYukihiro takahashiAlejandro gonzAlva notoRyuichi sakamotoJohn david washingtonHaruomi hosonoDennis bovellNational bryce dessnerAcademy award for best original scoreYellow magic orchestra

Ryuichi Sakamoto, YMO Member and Oscar-Winning Composer, Dead at 71 – Rolling Stone

Ryuichi Sakamoto, keyboardist for the pioneering Yellow Magic Orchestra and Oscar-winning composer of 'The Last Emperor,' has died at the age of 71.

Brian de palmaRyuichi sakamotoBernardo bertolucciAfrika bambaataaCong suDennis bovellDavid sylvainHaruomi hosonoDavid byrneAlejandro gonzJohn david washingtonAlva notoYukihiro takahashiAcademy award for best original scoreNational bryce dessnerYellow magic orchestra

Lyricist Takashi Matsumoto on Happy End, writing for pop and helping change the course of Japanese music history

When Happy End released its debut album in 1970, a decision by members to sing in their native Japanese proved to be a radical move that essentially changed the way music was made in Japan.

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Happy End: Kazemachi Roman

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit an overlooked masterpiece from 1971, one that helped define the essence of Japanese rock.

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