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New York City Opera to Present Weill & Brecht s THE SEVEN DEADLY SINS & MAHOGONNY SONGSPIEL

New York City Opera will present Kurt Weill and Bertolt Brecht's thrilling double bill, The Seven Deadly Sins & Mahagonny Songspiel, for the first time ever told as one story, a tragic fable for today.

Constantine Orbelian Named NYC Opera Music Director, Principal Conductor

Constantine Orbelian NEW YORK New York City Opera (Michael Capasso, General Director) has announced the appointment of internationally acclaimed conductor and pianist Constantine Orbelian as the company’s Music Director and Principal Conductor. Maestro Orbelian will conduct his first NYCO production this summer when the company performs a newly created version of “Rigoletto” on Sunday, August 29 at the Phoenicia International Festival of the Voice in Kingston, New York, followed by an encore performance of the Verdi favorite on Friday, September 3 as part of Bryant Park’s annual Picnic Performance series. “We are indeed very fortunate to welcome the world-renowned maestro, Constantine Orbelian to the New York City Opera Family,” commented Mr. Capasso. “Maestro Orbelian brings decades of international experience conducting opera’s greatest stars both in performance and on award-winning recordings and will offer the company and its audiences many world-class performan

Opera s Biggest Fan Leaves Behind a Sprawling Time Capsule

Opera’s Biggest Fan Leaves Behind a Sprawling Time Capsule Pavarotti, Domingo, Sills, Fleming and many more: Perhaps 200,000 autographs are piled in a vacant East Village apartment. A signed headshot of the soprano Carol Vaness inscribed to Lois Kirschenbaum, who died last month and was the queen of the Metropolitan Opera’s stage door since the 1950s.Credit.Vincent Tullo for The New York Times “To Lois.” For many of opera’s greatest stars since the 1950s, writing that phrase before signing an autograph was both a rite of passage and an honor. After they had finished a long performance at the Metropolitan Opera, singers like Beverly Sills, Luciano Pavarotti, Plácido Domingo and Renée Fleming knew that Lois Kirschenbaum would be waiting at the stage door to greet them. The artists admired her almost as much as vice versa.

Lois Kirschenbaum, the ultimate opera superfan, dies at 88

Lois Kirschenbaum, the ultimate opera superfan, dies at 88 By Corey Kilgannon New York Times,Updated April 9, 2021, 4:57 p.m. Email to a Friend Lois Kirschenbaum backstage at the Metropolitan Opera House in New York in June 2012.JULIE GLASSBERG/NYT For more than a half-century, nearly every prominent singer to perform at New York City’s Metropolitan Opera could expect to be approached backstage afterward by a wispy woman in thick glasses, who held piles of memorabilia to be autographed while she praised their performance in a raspy Brooklyn accent. That was Lois Kirschenbaum, one of New York’s biggest and longest-standing opera buffs and a nightly staple at the opera since the late 1950s, before Lincoln Center was built, when the Met was located in Midtown.

James Levine: An unaffectionate tribute by the Metropolitan Opera – Slipped Disc

By norman lebrecht The Metropolitan Opera has crafted these unloving words in memory of its former music director whose death was made known today: The Metropolitan Opera honors the memory of former Music Director James Levine, who held the musical reins of the company for four-and-a-half decades. Maestro Levine conducted more than 2,500 performances of 85 different operas at the Met, starting with his company debut in 1971 leading Puccini’s Tosca. Celebrated for shaping the Met Orchestra and Chorus into the finest in the world, he was also responsible for considerably expanding the Met repertoire. Levine conducted the first-ever Met performances of Mozart’s Idomeneo and La Clemenza di Tito, Gershwin’s Porgy and Bess, Stravinsky’s Oedipus Rex, Verdi’s I Vespri Siciliani, I Lombardi and Stiffelio, Weill’s Rise and Fall of the City of Mahagonny, Schoenberg’s Erwartung and Moses und Aron, Berg’s Lulu, Rossini’s La Cenerentola, and Berlioz’s

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