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Editors Picks: 8 Events for Your Art Calendar This Week, From Ming Smith s Air Jordan Campaign to an Art Advisor s New Podcast
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Wet Paint: the Glimchers Circle the Basquiat Estate, Downtown Dealers Flock to the Catskills, & More Juicy Art-World Gossip
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Madeline Hollander at the Whitney Museum of American Art, 2021. Courtesy of Bortolami Gallery. Photo: Nicholas Calcott.
This is often the case for the 35-year-old professional dancer-turned-artist. Where you and I see chaos, Hollander sees choreography: New York City traffic, flood mitigation systems, environmental change. The product of extensive research, her work transmutes the abstract patterns that govern our daily lives into elegant dance performances, heady gallery installations and now, for the first time, film.
The 16-minute video at the Whitney documents Hollander’s search to find flatwings, a new breed of Polynesian field cricket that, due to genetic mutation, has lost the ability to chirp. For the insects, it’s both a gift and a curse: They are now essentially invisible to their predators an acoustically oriented parasitic fly that once threatened to wipe out their entire population but also invisible to their potential mates. The crickets’ ability to adapt is lik
Wet Paint: Biden s Granddaughter Has a Secret Art-Filled Instagram, NYC Gallery Gets Spiffy New Space, & More Art-World Gossip
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Featured in Garage Galleries Thrive in Car-Bound Los Angeles
Liz Craft, Emma Gray, Pentti Monkonnen and Thomas Solomon discuss the exhibition programmes they launched in their homes
Liz Craft, Emma Gray, Pentti Monkkonen and Thomas Solomon discuss the exhibition programmes they launched in their garages.
Thomas Solomon When I moved to LA in the early 1980s, I had been director at White Columns. I was very New York: I wore black, smoked, didn’t drive. A lot of the artists I met in LA used their garages as studios so, when I decided to open a gallery in 1988, I found a two-car garage off Fairfax Boulevard and called it The Garage. At the time, the city was dominated by big galleries such as Margo Leavin, Rosamund Felsen and Luhring Augustine Hetzler, but my space was more like 98 Greene Street Loft – the New York gallery that my mother, Holly Solomon, started with Gordon Matta-Clark in 1969 – although it was also very LA: the birthplace of garage rock an