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The Headless Horseman of Sleepy Hollow radio production to make (sound) waves this weekend

The Great River Players are set to transport audiences back to the golden age of radio with their upcoming production of "The Headless Horseman of Sleepy Hollow." Adapted from Washington

A Christmas Carol — A Radio Play on tap

Performances are set for 7 p.m. Dec. 16 through Dec. 18, and there will be a 2 p.m. matinee on Dec. 19. In addition, a special streaming format will be available Christmas Eve through Christmas Day.

CCT s 2017 production of A Christmas Carol to be re-broadcast twice

NewsSportsEntertainmentLifestyleOpinionUSA TODAYObituariesE-EditionLegals Crookston Community Theatre s 2017 A Christmas Carol to be re-broadcast on KROX It will be aired twice, on Dec. 18 from 5 to 6 p.m. and Dec. 22 from 1 to 2 p.m. Times Report Crookston Community Theatre’s old-fashioned radio production of “A Christmas Carol,” which they performed in 2017 at Trinity Lutheran Church, will be rebroadcast this holiday season on KROX Radio on two separate occasions. The first rebroadcast will be on Friday, Dec. 18 from 5 to 6 p.m. and the second will be on Tuesday, Dec. 22 from 1 to 2 p.m. “My hope this year was to give everyone a reason to take a break from these chaotic days and have a chance to chill out for a while,” CCT’s Colleen MacRae tells the Times.

The gift of A Christmas Carol radio show to bolster nostalgia and holiday merriment for Roaring Fork Valley residents

Defiance Community Players, Glenwood Springs Arts Council and KMTS team up to put on a radio production of Charles Dickens A Christmas Carol. The Defiance Community Players teamed up with the Glenwood Springs Arts Council and KMTS radio to bring Glenwood Springs’ residents a holiday gift reminiscent of the past. An adapted 30-minute radio production of Charles Dickens’ “A Christmas Carol” will be pre-recorded and streamed on the KMTS website and aired on their 99.1 FM station at 7 p.m. on Dec. 20, 24, 25 and 26. Brendan Cochran, director of the project said putting together the show required him to provide feedback different from what he is used to giving when working on performances through a visual medium.

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