Emme Hoy’s adaptation of Anne Brontë’s THE TENANT OF WILDFELL HALL, ensures the essence of the early feminist novel remains while reinforcing the continuing need for sisterhood solidarity and support for women needing to escape from abusive environments.
As Omicron wreaks havoc on Australian theatre, there’s a silver lining for up-and-coming actors. But hiring understudies is expensive – and unsustainable