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Killer Weaves and Muddled Commentary in Bad Hair [Horror Queers Podcast]
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Get Acquainted with This Summer s Filmmakers through These 13 Sundance Films
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Dear White People creator Justin Simien comes up with a different kind of satire in
Bad Hair, a period piece set in the world of cable TV in 1989. It’s a pitch-perfect recreation of an “urban” music video network, where the pressure to fit in drives young employee Anna (Elle Lorraine) to get hair extensions. Unfortunately, those hair extensions are demonically possessed and hungry for blood (but they look great).
Crawl
A hurricane provides the perfect conditions for alligators to swim into town and chomp on people in the animal-attack horror movie
Crawl. Director Alexandre Aja generates impressive suspense from his goofy premise, and star Kaya Scodelario keeps the movie grounded as the main character, a college student determined to rescue her trapped father (Barry Pepper) from both the rising waters and the deadly alligators.
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Two years ago, after reading the script for her next movie project set in 1989 Los Angeles, Nikki Wright began combing through old Black fashion magazines, looked at cosmetics ads and watched music videos from the New Jack Swing era on repeat. She thought about how to replicate the narrow beauty standards African American women felt pressured to live up to at the time, a major theme of the movie. None of this prep was unusual for the veteran hairstylist.
But this wasn’t just any movie. It was Wright’s most high-profile gig to date: bringing a killer weave to life in “Bad Hair,” the high-minded, low-budget horror-comedy on Hulu. Every bit of cultural minutiae had to be correct, even when that meant re-creating old-fashioned hair techniques that, it turned out, were flawed.
1980s high-top fades and asymmetrical bobs are just part of the horror of Bad Hair
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