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Violant Porcel: «El diálogo del arte con un espacio histórico ofrece perspectivas nuevas sobre las obras»

Violant Porcel: «El diálogo del arte con un espacio histórico ofrece perspectivas nuevas sobre las obras» El proyecto cuenta con la participación de artistas como Rosa Barba, Stefan Bertalan, Martin Boyce o Etienne Chambaud Violant Porcel, este pasado viernes, en la Casa Museo Ca’n Marquès de Palma. B. Ramon Soledad Bescós Interpretar el arte contemporáneo con nuevas perspectivas es también una forma de hacer arte contemporáneo. Y es donde la interpretación o el discurso de cada pieza se convierte en una forma de completar su identidad. Eso es lo que ha hecho en esta ocasión tan especial Violant Porcel con su equipo de la prestigiosa galería berlinesa Esther Schipper.

Sun, sea and Esther Schipper: Berlin gallery pops up in Mallorca and Taipei this summer

Sun, sea and Esther Schipper: Berlin gallery pops up in Mallorca and Taipei this summer
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Aesthetica Magazine - A Kaleidoscopic Journey

A Kaleidoscopic Journey Manchester-based artist Liz West, who was shortlisted for the Aesthetica Art Prize in 2016, creates site-specific artworks that use vivid colour, light and space to ignite remarkable sensory experiences. Her latest piece, Hundreds and Thousands, transforms The Tide walkway in Greenwich Peninsula, London, into a kaleidoscopic installation. Here she tells us about the work’s origins and why she’s fascinated by the science of colour perception. A: How did you develop your vision for Hundreds and Thousands? LW: Hundreds and Thousands was initially derived from a series of drawings based on the individual human experience of encountering colour. My experiments in colour mixing and blending are influenced by the theory of Josef Albers. Albers’ work led me to focus on the interaction of colours as well as creating careful compositions and spatial balance between geometric elements such as gridded or striped arrangements.

Galerie Nathalie Obadia opens its fifth exhibition with Sophie Kuijken

Galerie Nathalie Obadia opens its fifth exhibition with Sophie Kuijken Sophie Kuijken, Z.V., 2021. Oil and acrylic on canvas, 90 x 160 x 4,5 cm. © Sophie Kuijken. Courtesy of the artist and Galerie Nathalie Obadia Paris / Brussels. PARIS .-Galerie Nathalie Obadia is presenting Belgian artist Sophie Kuijken’s fifth exhibition, following her 2020 show in Brussels. Shielded from the limelight for nearly 20 years, then unveiled for the first time in 2011 at the Dhondt-Dhaenens Museum, under the encouragement of its director Joost Declerq, Sophie Kuijken’s pictorial oeuvre is a highly singular addition to the art of portraiture. Following in the footsteps of Flemish painting, Sophie Kuijken’s work disrupts the genre’s traditional codes from the inside, by adopting a deeply troubling contemporary approach. In an atypical space between two worlds, her portraits are imbued with a paradoxical presence, at once silent and scrutinizing, human and spectral, blurring the contours of hu

Artist Ann Veronica Janssens Explores All the Dazzling Ways Light Can Refract—See Images of Her Lustrous New Show Here

Artist Ann Veronica Janssens Explores All the Dazzling Ways Light Can Refract See Images of Her Lustrous New Show Here Janssens s current exhibition is at Alfonso Artiaco in Naples, Italy. Installation view Ann Veronica Janssens 2020. Courtesy of Alfonso Artiaco. Walking through the British-born, Belgian-based artist Ann Veronica Janssens’s latest sculpture show makes one aware of just how many dazzling ways light can refract. Some works at the gallery, Alfonso Artiaco, large-scale yellow-green planes that lean against a wall, shimmer iridescently, like oil slicks. Another work, a Blue Glass Roll 405/2 (2019) a large, blue-gray ring that radiates light softly like the surface of a frozen lake on close inspection one can spy small bubbles of air trapped within the sculpture. 

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