Farrar, Straus & Giroux: 192 pages, $25
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In a 2019 profile of the long-neglected artist Celia Paul, Rachel Cusk mentions a scene from a film about the painter Alberto Giacometti in which he jams dozens of his sketches into a firepit and watches them burn. The consummate swigging, stomping, scolding male virtuoso, Giacometti is performing a role he’ll never be asked to step out of. “The male artist,” Cusk writes, “in our image of him, does everything we are told not to do: He is violent and selfish. He neglects or betrays his friends and family. He smokes, drinks, scandalizes, indulges his lusts and in every way bites the hand that feeds him, all to be unmasked at the end as a peerless genius.”
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