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In the Earth Review: Treat Yourself to a Shot of COVID-Inspired Wheatley Weirdness In the Earth Review: Treat Yourself to a Shot of COVID-Inspired Wheatley Weirdness
It s somehow fitting that a horror helmer whose career kicked off with viral videos has gone and made a pandemic movie that infects the id.
Peter Debruge, provided by
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Running time: Running time: 100 MIN.
Courtesy of Sundance Institute
Last year, Ben Wheatley released a remake of Alfred Hitchcock’s “Rebecca” in which his heroine suffers a trippy newlywed’s nightmare. She’s married to Armie Hammer, following him through the halls of Manderley, and the hallway carpet turns to crawling ivy, grabbing her ankles and pulling her down toward hell. This hallucination stands out in the otherwise traditional film, but it’s one of the few moments in “Rebecca” where we sense the filmmaker’s personality coming through. That freaky interlude might as well have been a trailer for Wheatl
Reece Shearsmith in In the Earth
Dead and buried.
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Ben Wheatley nurtures his genre roots with this viral isolation thriller that draws a menacing blurred line between man and nature in an alienating world gripped by a pandemic.
An ominous score by Clint Mansell mixing electronic dread with insidious melody toils in search of a more coherent horror scenario in Ben Wheatley s disorienting slog,
In the Earth. Whether it s a palate cleanser after the constricting labor of Netflix s
Rebecca remake or simply a work of creative restlessness cooked up by a resourceful director who honed his skills making more with less, this hallucinogenic fairy tale set during the third wave of a global pandemic and shot under COVID-19 guidelines becomes progressively less interesting after its intriguing start. The cluttered plot keeps surging forward while providing too few illuminating insights, instead loading up on mystical mumbo jumbo and flashes of gore.
Tomb Raider swings back to the big screen with a movie sequel directed by Lovecraft Country creator Misha Green, with Alicia Vikander returning as Lara Croft.
Sightseers, and
Kill List together. Jump was taking over writing duties for Geneva Robertson-Dworet and Alastair Siddons, who co-wrote the first movie, only to be replaced by Green. Plot details on the sequel are being kept under wraps. Graham King will once again produce through his GK Films banner alongside Elizabeth Cantillon via The Cantillon Company.
Based on the video game character, the 2018
Tomb Raider and earned $274.7 million at the worldwide box office. In the movie, Lara Croft (Alicia Vikander) is the fiercely independent daughter of an eccentric adventurer who vanished when she was scarcely a teen. Now a young woman of 21 without any real focus or purpose, Lara navigates the chaotic streets of trendy East London as a bike courier, barely making the rent, and takes college courses, rarely making it to class. Determined to forge her own path, she refuses to take the reins of her father’s global empire just as staunchly as she rejects the idea that he’s truly g