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Farewell Amor Review: Ekwa Msangi s tale of African immigration is modest and contemplative

Strong performances propel the quiet but engaging moments in this emotional drama. Credit: IFC Films Published: 4:48 PM CST December 12, 2020 Updated: 4:50 PM CST December 12, 2020 Dance can be a most liberating (and cinematic) form of self-expression, as a large swath of 2020’s better films have attested to. In Steve McQueen’s evocative “Lovers Rock,” young Black people groove and jive to the sultry step of their souls. In Levan Akin’s devastating “And Then We Danced,” an aspiring Georgian dancer’s dream of joining the national troupe gives him purpose. In Fernandro Frías’s melancholy “I’m No Longer Here,” a Mexican teenager relies on cumbia to sustain his identity after he’s forced to flee across the U.S.-Mexico border.

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