Even with some technical limitations imposed on it, “No Bears” is a creative film that seeks to push the boundaries of film form to their limit to varying success.
Jafar Panahi's latest feature, completed shortly before he was imprisoned by the Iranian government, is both a searing work of social criticism and a barbed rumination on the movie medium itself
Jafar Panahi's latest feature, completed shortly before he was imprisoned by the Iranian government, is both a searing work of social criticism and a barbed rumination on the movie medium itself.
Through the looking glass: Jafar Panahi’s latest No Bears, offers a profound and timely story about the real and imagined borders national, social, religious that constrict the freedoms of Iranians