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How Bang on a Can Survived the 90s - The New York Times

Bang on a Can, a contemporary music organization, fought government cuts with an innovative crowdfunding program. From left: David Lang, Michael Gordon and Julia Wolfe in 1987, when they founded the contemporary-music organization Bang on a Can amid a long decline in public arts funding.Credit.Robert Lewis By William Robin Feb. 18, 2021 “When things are tough all around us, we dream,” the composers Michael Gordon, David Lang and Julia Wolfe wrote in a letter to potential donors in 1996. Bang on a Can, the contemporary music organization they had founded a decade before, had recently lost about a fifth of its budget because of massive cuts to the National Endowment for the Arts. But Gordon, Lang and Wolfe were undeterred.

How a scrappy arts group survived the 90s

How a scrappy arts group survived the 90s Bang on a Can, a contemporary music organization, fought government cuts with an innovative crowdfunding program. by William Robin (NYT NEWS SERVICE) .- “When things are tough all around us, we dream,” composers Michael Gordon, David Lang and Julia Wolfe wrote in a letter to potential donors in 1996. Bang on a Can, the contemporary music organization they had founded a decade before, had recently lost about a fifth of its budget because of massive cuts to the National Endowment for the Arts. But Gordon, Lang and Wolfe were undeterred. “It’s a Bang on a Can thing,” they added in the letter. “Just as arts funding is collapsing, we’re mounting new projects to build a new audience for a new kind of music.” Within a year, the group had started one such project: the People’s Commissioning Fund, an innovative program which pooled small donations in order to commission composers to write works for a house ensemble, the Bang on a C

Orchestra Of St Luke s Presents SOUNDS & STORIES: ANNA CLYNE AND JYLL BRADLEY

Steve Reich - New York Counterpoint J.S. Bach - Contrapunctus I-IV from Art of the Fugue Anna Clyne - Strange Loops (World Premiere) Jyll Bradley, David Ward, Anna Clyne - Woman Holding a Balance (World Premiere) About Anna Clyne London-born Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a composer of uncommon gifts and unusual methods in a New York Times profile and as fearless by NPR, Clyne s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians. Clyne has been commissioned by a wide range of ensembles and institutions, including BBC Radio 3, BBC Scottish Symphony, Britten Sinfonia, Carnegie Hall, Chicago Symphony Orchestra, Houston Ballet, London Sinfonietta, Los Angeles Philharmonic, Seattle Symphony, and the Southbank Centre. Her work has been championed by such world-renowned conductors as Pablo Heras-Casado, Riccardo Muti, Leonard Slatkin, André de Ridder, Esa-P

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