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Sahel: The collapsing ecosystem of Niger River

By Amaury Hauchard – Ousmane Djebare Djenepo, wearing sunglasses and an easy smile, stands upright to show off the mighty Niger River which is flowing around his traditional wooden canoe, or pirogue. The 76-year-old Malian is one of tens of thousands of fishermen who make a living from the river and the verdant wetlands which surround it. But Djenepo’s smile hides unease. “Before, the river was deep and the fishing seasons long,” says Djenepo, head of the federation of fishermen of the Niger River’s inner delta. “Now there are far fewer fish, and the river has too many problems”.

Afrique du Sud : un braconneur tué par des éléphants

Afrique du Sud : un braconneur tué par des éléphants
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Sahel: Why the G5 Sahel force remains completely ineffective

Three years ago West African nations launched a joint force touted as a giant’s stride in the fight against Islamist militants sweeping across the Sahel. But lack of equipment, funds and training, together with problems in deployment and coordination on the ground, have left the so-called G5 Sahel struggling for credibility and still dependent on France, the force’s big political backer. Planned as a seven-battalion force combining 5,000-men from Burkina Faso, Chad, Mali, Niger and Mauritania, the G5 is meant to bind the countries of this vast region in an alliance against a common foe. Thousands of people have died and hundreds of thousands have fled their homes since jihadists launched an insurgency in northern Mali in 2012, which has since spread into Niger and Burkina Faso.

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   PORTO .- To Unravel a Torment is dedicated to the work of Louise Bourgeois (Paris, 1911, Manhattan, New York, 2010), spanning seven decades and featuring works by the artist made between the late 1940s and her death in 2010, at the age of 98 Visited and revisited in countless and intense exhibitions over recent decades, in different museum spaces around the world, the vast and singular oeuvre of Louise Bourgeois is intercrossed by themes that are indelibly associated with the traumatic events and experiences of her childhood. Themes such as family, sexuality, the body, death and the unconscious required intense therapy, which she consciously carried out through her art. In her sculptures, textiles, books, drawings and architectural installations, Louise Bourgeois expressed the tension between opposing forces - male / female, passive / active, architecture / body, love / hate - using formal and symbolic equivalents. Although the roots of her wo

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