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Pinchas Zukerman reanuda sus conciertos con una gira por España
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1 pm ET: Wiener Staatsoper presents
Giselle. Conductor: Valery Ovsyanikov, choreography: Elena Tschernischova after Jean Coralli, Jules Perrot and Marius Petipa. With Nina Poláková, Masayu Kimoto, Rebecca Horner, Andrey Kaydanovskiy, Alice Firenze, Leonardo Basílio, and Soloists and Corps de ballet des Wiener Staatsballetts. Production from September 2017. Register for free and view here.
2:30 pm ET: Philharmonie de Paris presents Casadesus conducts Debussy, Ravel, Schumann & Beethoven. Jean-Claude Casadesus conducts the Orchestre du Conservatoire de Paris in a Franco-German program of Debussy’s
Prélude à l’après-midi d’un faune, Ravel’s
Pavane pour une infante défunte Schumann’s Piano Concerto with soloist David Kadouch, and Beethoven’s Symphony No. 1. View here. LIVE
RI s Marijuana Industry
More questions about who is regulating - and who is profiting from - the supposed non-profit structure which appears to be working to circumvent the regulatory structure - and many appear to be benefitting.
GoLocal unveiled this week that a worker at a Rhode Island medical marijuana dispensary who reportedly drew a gun on a patient had previous multiple warrants out for his arrest.
GoLocal talked to multiple Rhode Island law enforcement agencies who had involvement with the worker, the Slater Compassion Center s valet Julio Davila.
In just the past year plus, he has been involved with alleged crimes being pursued by Providence, Pawtucket and the Rhode Island State Police.
Narek Hakhnazaryan © Marco Borggreve
Tchaikovsky’s Variations on a Rococo Theme has been with me almost since I started learning the cello. I was around six or seven when my father came home with a videotape of Yo-Yo Ma playing the piece with the Leningrad Philharmonic under Yuri Temirkanov. It was the first time I’d ever watched a performance like that – it was a special gala concert for the 150th anniversary of Tchaikovsky’s birth, with Itzhak Perlman and Jessye Norman also in attendance – but I’d never seen anything like Ma’s playing before. Even though I was so young, I could sense his freedom of expression, creativity and the way he responded to Temirkanov; it was shocking and impressive in equal measure and I knew then that playing the cello in this expressive way was how I wanted to spend the rest of my life.
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