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Slave Play Entering the Golden Theatre, audiences were immediately confronted with two images as they sat down before Jeremy O. Harris’ look at interracial relationships began: a stage-wide panorama of an antebellum plantation and themselves. The latter was created using mirrors, an idea that Ramos came up with after director Robert O’Hara decided he wanted the play performed in-the-round. Despite New York Theatre Workshop allowing seat changes for other productions, the group gave Ramos a hard “no.” I called NYTW and i was like can we take off the seats like we do for Ivo Van Hove? explained Ramos, and they were like, no, you can t, you are not allowed to do that. Ok, cool. So, I had to think a lot about what we had to do.

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