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Penitential rite held after naked man stands on St Peter s Basilica s main altar – Catholic World Report

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Penitential Rite Held After Naked Man Stands on St Peter s Basilica s Main Altar

Penitential rite held after naked man stands on St Peter s Basilica s main altar

Cardinal Mauro Gambetti, archpriest of St. Peter s Basilica, presides over a penitential rite on June 3, 2023, two days after a Polish man stripped naked and stood on the basilica s high altar. / Vatican MediaWashington, D.C. Newsroom, Jun 3, 2023 / 08:04 am (CNA).Two days after a naked man stood on the high altar of St. Peter s Basilica in a shocking security breach, the basilica s archpriest on Saturday reconsecrated the altar during a penitential rite as required by canon law in cases where sacred places are desecrated.Vatican News reported that the unidentified man was a Polish national who approached the high altar on June 1 as the basilica was about to close. He quickly undressed, and climbed onto the altar. Photos posted online showed the words "Save children of Ukraine" written in marker on his back."As officers of the Vatican Gendarmerie approached, the man did not resist but cooperated as they led him to the police station inside the Vatican," the Vatican

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Big data will analyze the mystery of Beethoven s metronome

 E-Mail Data science and physics research at the Universidad Carlos III de Madrid and UNED has analysed a centuries-old controversy over Beethoven s annotations about the tempo (the playing speed) of his works, which is considered to be too fast based on these marks. In this study, published in the PLOS ONE journal, it is noted that this deviation could be explained by the composer reading the metronome incorrectly when using it to measure the beat of his symphonies. Ludwig van Beethoven (1770-1827) was one of the first composers to start using a metronome, a device patented by Johann Nepomuk Maelzel in 1815. At that time, he started to edit his works with numerical marks with metronome indications. Doubts about the validity of these marks date back to the 19th century and during the 20th century many musicological analyses were carried out, some of which already pointed to the hypothesis that the metronome was broken, an assumption that could never be verified. In any case, mos

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