Actual Indoctrination Comes to Public Schools theatlantic.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theatlantic.com Daily Mail and Mail on Sunday newspapers.
History is a harsh mistress when trifled with. Newspaper writers and editors make a profession of turning the present into history, and they acknowledge the dignity of facts with every correction appended to the bottom of their stories. Yet over the last year, the editors of The New York Times’ and Pulitzer Center’s “1619 Project” rejected corrections save a modest one after receiving criticism from several quarters to fix factual inaccuracies in this Project. Now history has come to call.
Five Festivals for the Charles Ives Sesquicentenary artsjournal.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artsjournal.com Daily Mail and Mail on Sunday newspapers.
Joseph Horowitz, concert producer, cultural historian, and author of Dvořák's Prophecy and the Vexed Fate of Black Classical Music John McWhorter, Associate Professor of Linguistics, Department of Slavic Languages, Columbia University Sidney Outlaw, baritone singer; Professor of Voice, Manhattan School of Music; Voice Faculty, Brevard Music Center Summer Institute & Festival Moderated by Allen C. Guelzo, Thomas W. Smith Distinguished Research Scholar and Director of the James Madison Program Initiative on Politics and Statesmanship In 1892, the master Czech composer Antonín Dvořák, teaching in New York City, prophesied that the melodies of African-American musical genres would inspire a “great and noble school” of American classical music. But the Black musical motherlode instead fostered popular genres known the world over; American composers mainly squandered the opportunity at hand. A modernist “standard narrative,” popularized by Aaron Copland, kept a dis