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V&A Gilbert Galleries

The team chosen for the estimated £240,000 contract will refurbish and upgrade four first floor rooms which currently house around 430 objects from the

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Editors Picks: 11 Events for Your Art Calendar This Week, From Walt Disney at the Met to a Forum Organized by Carrie Mae Weems

Plus, see Whitfield Lovell's work at DC Moore gallery, and Rosalind Nashashibi's new paintings at Grimm gallery.

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Ces trésors pillés par les nazis qui ont atterri chez des collectionneurs juifs

Ces trésors pillés par les nazis qui ont atterri chez des collectionneurs juifs
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How Nazi-looted treasures ended up in a Jewish-owned collection

The Rosalinde and Arthur Gilbert Collection, photographed on November 15, 2016. (The Rosalinde and Arthur Gilbert Galleries. © Victoria and Albert Museum, London) LONDON (Jewish News) One day in 1969, Arthur Gilbert, a Jewish immigrant to Los Angeles from London, wandered into an antique shop on the city’s upscale Rodeo Drive – and fell in love. Specifically, he fell in love with an almost forgotten and startling art form what Gilbert called micromosaics thousands and thousands of tiny pieces of glass that form a picture, almost indistinguishable from a painting. The technique, developed in Rome in the 18th century and applied to objects ranging from exquisite tabletops to snuffboxes, became the core of one of the most extraordinary collections of decorative arts in any museum: the Rosalinde and Arthur Gilbert Collection, on permanent loan at the Victoria and Albert Museum since 2008.

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