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The Florida Project : Childhood, in a land stranger than paradise
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Dua Lipa Takes on Her Truest Form for Global Evian Campaign
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The hourlong experimental documentary “Erēmīta (Anthologies)” is a collection of short films made by cinematographers from around the world, each having been tasked by Egyptian American filmmaker Sam Abbas, as curator, with one key creative restriction: cellphone cameras only, no added lenses or devices. The impetus was itself an overarching constraint this was March of 2020, when the pandemic had everybody in quarantine.
The shorts run the gamut from the avant-garde/impressionistic like Soledad Rodríguez’s “The Eagle and the Snake,” shot through what appears to be a tube to the observed, typically defined by a sense of being inside looking out. (The overall title translates as “hermit.”) American indie DP Ashley Connor’s “A Well Watered Woman” offers up a jaggedly edited bath starring her own body in close-up fragments, while Rome-based cinematographer Stefano Falivene (“Point of View”) contrasts the majesty of the ancient Coliseum (not a bad walki
Erēmīta (Anthologies) review – stodgy lockdown experiments
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