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What if Terrence Malick started making commercials for corporations instead of feature films? We now have an actual answer to that question. There s a short
Eremita (Anthologies) Harbors Appeal Beyond the Average Pandemic Response Movie
This anthology of shorts offers a precious peek at the directorial visions of five leading cinematographers.
Maxxie, Suzzee & Cinema
When the COVID-19 pandemic brought the world shuddering to a halt in March 2020, it forced virtually every film set on the planet to shut down, leaving many filmmakers across the globe twiddling their thumbs. In the weeks and months that followed, directors have responded to this enforced downtime the only way they know how: creating.
From Mati Diop’s
In My Room and Spike Lee’s
New York New York to Martin Scorsese’s quarantine film and the seventeen shorts that make up the anthology collection
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Add Erēmīta (Anthologies) to the growing list of collected short films including Netflix s Homemade created during the pandemic. This hour-long program, made during the first lockdown, was compiled by filmmaker Sam Abbas. It features six shorts by cinematographers from around the world who were told to shoot on their cell phones without any lenses, rigs, or audio devices.
The program is mostly experimental, and is (as with most short anthology programs), a mixed bag. That is more an observation than a criticism; this kind of cinema is designed for sensorial appreciation. The entries in Erēmīta (Anthologies) eschew the set-up, suspense, payoff arc of narrative shorts and instead deliberately create a hazy, seductive, dreamlike feeling.