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Burning Down the House: Rethinking Family - Announcements

They Do Things Differently in Dallas: A Report From Its Fairs, Private Collections, and One Local Strip Club

Gracie Hadland on Naoki Sutter-Shudo - Criticism

Naoki Sutter-Shudo addresses the current critical landscape with a series of seven “Critical Figures” and twelve paintings. Installed in only o

9 hidden gems not to be missed at Art Basel Hong Kong

In the Chilling Shadows of a Biennial Yet to Be Seen

Featured in In the Chilling Shadows of a Biennial Yet to Be Seen ‘Made in L.A. 2020: a version’, slated to open in 2021, exposes the horrors of American life pre-pandemic Before entering the long-delayed (and now revised) ‘Made in L.A. 2020: a version’, I pitied its poor curators, whose exhibition has been kyboshed by a succession of lockdowns. Originally scheduled to open in June, the biennial – split this year between the Hammer Museum and the Huntington Library, Art Museum and Botanical Gardens in San Marino – has lain partly dormant, partly unfinished. With (almost) all works installed, museum leaders allowed in a few members of the press, who, they hoped, might grant ‘Made in L.A. 2020’ a little exposure to daylight. (The biennial is currently expected to open to the public next year.)

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