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Acquisitions round-up: Cleveland museum buys a sumptuous 16th-century wooden carving, once part of an altarpiece
Plus, the UK’s first permanent public sculpture by a Black female artist goes to Warwick University, and National Gallery of Art lands a collection of 20 shadow boxes by Joseph Cornell
United kingdom
United states
City of
National gallery of art
District of columbia
Joseph cornell
Juan gris
Aimee lehrman
King david
Veronica ryan
Veit stoss
Alexander rudigier
Arts council england
Courtesy of national gallery art
Cleveland museum of art
University of warwick
Attribution of a Venus discovered in a French scrapyard is highly contested—this book defends the ascription
A nude female bronze, here identified as Giambologna’s Venus, was rediscovered in a French scrapyard in the 1960s © Dr. Georg Steinmetzer From the title on its cover, one would be forgiven for thinking that this weighty book is a general introduction to the life and work of Giambologna (1529-1608), the greatest sculptor working in Italy between Michelangelo and Bernini. It is, however, essentially a consideration of a particular gift (1598-1600) from Ferdinando I de’ Medici, the Grand Duke of Tuscany, to Henri IV of France of six large garden statues, cast in bronze from the master’s models. Indeed, at its heart is an even more specific and detailed case study of just one of them, a statue of a seated Venus. A nude female bronze, here identified as Giambologna’s Venus, was rediscovered in a French scrapyard in the 1960s. This remarkable
Blanca truyols
Los angeles
Georg steinmetzer
Linda hinners
Dorothea diemer
Lars olof larsson
Giambologna venus
Alexander rudigier
Laura parker
J paul getty museum
Grand duke
Bulletin monumental
Getty museum
Burlington magazine
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