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I don’t think there’s ever been a movie like Pig before. I’m young and stupid, so if you disagree, feel free to dig through my Letterboxd, screenshot my 4.5/5-star review of  Josie & The Pussycats, and put me on blast on the platform of your choosing. But I think I’m right. Michael Sarnoski’s quietly operatic black-comic noir could, by turns, be described as a takedown of Portland’s navel-gazey culinary scene, a surreal journey through crisscrossing streams of grief, or a movie where a blood-soaked Nicolas Cage says, “I don’t fuck my pig.” There are strands of

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